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Black Women Juke Joint Owners and Food Heritage

Black Women Juke Joint Owners and Food Heritage

With a renewed interest in juke joints, it is good to understand the origins, the elements, and the owners. And some of those owners were enterprising Black women.

What exactly is a juke joint? Polite people would call them countryside establishments of entertainment. The rest of us, especially those who’ve visited one, would call them spaces in the hidden backwoods of rural areas (and some cities), where working people meet for music, dancing, and food. The earliest types of juke joints can be traced back to slave quarters, when enslaved Africans created some merriment and joy in such a way to avoid potential punishment. Its evolution remains similar for one very good reason: Many were unlicensed establishments, selling white dog (lightening) or moonshine. 

Wolcott Marion Post photographer Jitterbugging in Negro juke joint Memphis Tennessee United States Memphis Tennessee Shelby County Memphis 1939 Nov Photograph httpswwwlocgovitem2017801843<br>

The word juke can be spelled and pronounced “jook” or “joog” and has its roots in both Gullah and West African cultures. Historians Peter M. Rutkoff and William B. Scott stated, “The juke, or jook joint, also came from West Africa. The word ‘jook’ derived from the Baramba word ‘dzugu’, which means wicked or bad.” 

In the documentary “Alabama BlackBelt Blues” juke joints were described as places where people came to have a good time and sweat from dancing all night long. There were a few juke joints that offered gambling, yet another reason to be hidden in the woods or backfields. 

Jim Crow laws prohibited Blacks from eating and drinking with whites in white-owned businesses. The juke joint provided safety and freedom. And…some violence. 

Wolcott Marion Post photographer Negro migratory workers by a juke joint Belle Glade Fla United States Florida Belle Glade 1941 Feb Photograph httpswwwlocgovitem2017877542<br>

Though juke joints were primarily owned by men, some of the savviest Black business women in the South owned juke or jook joints in the American South. These are the women who probably would never make the pages of Black Enterprise, simply because the work lacked a certain respectability or bourgeois appeal. No, these were the mothers, grandmothers and aunts of those people. Proof of their business savvy wasn’t in their ability to sell liquor or the blues to patrons, it showed up in their use of food as a primary moneymaker. Patrons needed food to soak up some of the moonshine and muscadine wine they were imbibing. On a Friday or Saturday night, working men and women would spend some of their hard-earned money on a meal and to be with good people. 

For the women who owned jooks, it was all about taking care of their families. Selling liquor could bring in a few extra dollars but selling it with food could bring in even more. Women like Alabama widow Mary Martin operated a juke joint on her own property, selling liquor she brewed and food she made from fried fish to fried chicken to barbecue. Martin opened her juke after her husband died, to care for their five children. One of her daughters, Candy Shines, entertained and is now a member of the Alabama Blues Hall-of-Fame. 

Wolcott Marion Post photographer Juke joint and bar in the Belle Glade area vegetable section of south central Florida Palm Beach County United States Belle Glade Florida Belle Glade 1941 Feb Photograph httpswwwlocgovitem2017806444<br>

Blues singer Sandra Hall received her start in music playing her mother’s juke joint, which was also a weekend fish fry. “She’d cook up a batch of fish and sell Black Label beer.” 

If a plate was not in your budget, women owners sold dill pickles, pickled eggs and pig feet from huge jars behind makeshift bars. On the pit could be pig’s snout, tripe and other parts of the pig and bovine to be slapped between two pieces of white bread and slathered in BBQ sauce. 

Running a successful juke joint was not easy for Black women owners. They had to be marketing geniuses to bring back repeat customers and attract new ones. They kept the books that sometimes included payments to law enforcement to avoid being shut down, pay staff that wasn’t family to act as bouncers, cooks, and bartenders, and they had to keep great talent performing. And they did all of that while keeping their families intact. 

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We romanticize the juke joint, but for these women using what was available in the way of food, music, and alcohol was a statement of survival. 

Wolcott Marion Post photographer A cross roads store bar juke joint and gas station in the cotton plantation area Melrose La United States Louisiana Melrose 1940 June Photograph httpswwwlocgovitem2017877468<br>

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Robin Caldwell

Robin Caldwell is the blogger behind freshandfriedhard.com and academic researcher focusing on Black history, heritage and culture. Public historian primarily in Black American historical foodways: antebellum and regional.

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Robin Caldwell

Robin Caldwell is the blogger behind freshandfriedhard.com and academic researcher focusing on Black history, heritage and culture. Public historian primarily in Black American historical foodways: antebellum and regional.

Find me on: Twitter | Instagram | Facebook

1 Comment

  1. Lawrence R. Evans Sr.
    July 4, 2021 / 5:08 pm

    Great read, had good memories.

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LEROY CAMPBELL CAREFREE HAND SIGNED AFRICAN AMERICAN ART
Gullah Spirit: The Art of Jonathan Green
35″” x 35″” Juneteenth by Synthia Saint James Canvas Art Print – Masterpiece Art Gallery
‘Beyonce’ Graphic Art Print on Wrapped Canvas Size: 18″ H x 26″ W x 1.5″ D
HBCU’s Canvas Print
A Different World (TV) 11 x 17 TV Poster – Style A
(27×40) Eve’s Bayou Movie Samuel L Jackson Lynn Whitfield Original Poster Print
Yes. Jesus Loves Me (Religious) – Katherine Roundtree 16×20 Black Framed
Dancing in The Living Room (Girls) – Katherine Roundtree 24×32 Black Framed – African American Black Art Print Wall Decor Poster
The Goodbye Kiss (Buffalo Soldier) – Katherine Roundtree 24×32 Black Framed – African American Black Art Print Wall Decor Poster
Amanti Art Funeral Procession Framed Art Print
Goddesses by Synthia SAINT JAMES Canvas Wall Art 3 Piece
227 – TV SHOW 80’S CLASSIC SHOW PRINT, GIFT FOR BEST FRIEND, FOR MOM, HOME DECOR, BLACK ART POP ART, FEMINIST
MASTER PIECE LESSONS GULLAH ISLANDS WALL ART, 35X35
GULLAH IMAGES: THE ART OF JONATHAN GREEN
GULLAH GEECHEE HERITAGE IN THE GOLDEN ISLES (PAPERBACK)
MASTER PIECE JOOK JOINT GULLAH ISLANDS WALL ART, 35X35
MY KIND OF NET ART PRINT BY GULLAH LIVING SERIES BY SAMANTHA CLAAR – X-LARGE
35″ X 35″ GULLAH GEECHEE CONJURE WOMAN BY SYNTHIA SAINT JAMES CANVAS ART PRINT – MASTERPIECE ART GALLERY
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MASTER PIECE GATHERING GULLAH ISLANDS WALL ART, 30X40
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